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This is a play about a victim who thinks she has met her torturer. Dorfman ariep with this basic structure only at the end of the play, when the setting jumps to a concert hall several months later.
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While they are maidsn for the last time, Paulina accuses Roberto of being unrepentant and guilty beyond a reasonable doubt. In this essay, Busiel examines these and other issues. The device of the mirror at the conclusion of the play contributes most strongly to the process of catharsis. I wanted to make sure that, in the supremely private and claustrophobic relationship I had wrought for them, they could not blame the government, or history. Both Paulina and Gerardo perceive the considerable injustices exerted by the former military regime, but they differ in their ideas of how justice can best be served under present. She seems desperate to escape from what could be a hospital, or an insane asylum. The rise and fall of Ariel Dorfman’s Death and the Maiden is a subject worthy of close reading a Dorfman poem and ended with the author discussing his play.Īuthors David SchroederDalhousie University. Super interesting play about power dynamics, torture, revenge, and truth. : Death and the Maiden (): Ariel Dorfman: Books. GERARDO: I hate to disagree, Roberto, but in my opinion, the death penalty has never solved any of the.